Changing Sword Art Online Hollow Realization to Work for Controller

(L–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photo Courtesy: Amy Davis/Baltimore Sun/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you've always taken an art history class or spent fourth dimension in a fine arts museum, chances are you know a lot about the men who "defined" their mediums. As with other subjects, almost of what nosotros learn about art history today still centers on white men from Europe and, later, the United States. In reality, there are and then many more artists of all genders to learn from and capeesh.

Here, we're specifically taking a look at just some of the women who accept had lasting impacts on their art forms. From some of the art world's almost iconic pioneers to its nigh unsung heroes, these women artists all had a hand — and, in some cases, all the same have a hand — in irresolute the globe of fine art and how we define it.

Laura Wheeler Waring

Laura Wheeler Waring's portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Commons

Laura Wheeler Waring was an creative person and educator who taught at Cheyney University in Pennsylvania for more than 30 years. Subsequently studying the work of painters like Cézanne and Monet while abroad, she returned to the United States, becoming best known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Two photographs from Cindy Sherman'due south Untitled Moving-picture show Stills (1977–80). serial. Photos Courtesy: Museum of Modern Fine art (MoMA)

Lensman Cindy Sherman was function of the Pictures Generation during the 1980s, and is perchance most well known for her serial of Untitled Flick Stills (1977–80) — self-portraits in which Sherman "posed in the guises of various generic female person film characters, among them, ingénue, working girl, vamp, and alone housewife" (via MoMA). In this serial, and those that followed, Sherman used photography to question the media's influence over our private and collective identities.

Yoko Ono

A still from the performance Cut Slice, 1964, and a picture of the installation Half-A-Room, 1967, as seen at the Museum of Modernistic Art in New York City in 2015. Photos Courtesy: Museum of Modern Art (MoMA)

Y'all might first recollect of Yoko Ono every bit a musician and activist, but she's besides an accomplished performance and conceptual artist. Ono was considered a pioneer in the performance fine art move, earning the nickname the "Loftier Priestess of the Happening".

1 of her almost revered works, Cut Piece, was a performance she offset staged in Japan; Ono saturday on stage in a nice suit and placed scissors in front of her, and, in an human activity of daring vulnerability, invited audition members to come up on phase and cut away pieces of her clothing. "Art is like animate for me," Ono has said. "If I don't do it, I outset to asphyxiate."

Betye Saar

Betye Saar's Black Girl's Window, 1969 (total and detail). Photos Courtesy: Museum of Modern Art (MoMA)

Before becoming a printmaker and activist, Betye Saar studied design and was employed every bit a social worker. A printmaking constituent changed her unabridged career trajectory — and, in turn, part of the trajectory of art history.

Saar was part of the Black Arts Motility in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the trick is to seduce the viewer," Saar has said. "If yous tin get the viewer to look at a piece of work of fine art, and so y'all might be able to give them some sort of bulletin."

Frida Kahlo

People expect at Frida Kahlo's 1939 painting Las Dos Fridas at the World Forum of Civilization in 2007, which was held in United mexican states. Photo Courtesy: Alejandro Acosta/AFP/Getty Images

Information technology'southward rare to find someone who hasn't at least heard of Frida Kahlo. A self-taught painter from Mexico, she is best known for exploring themes like decease and identity through her self-portraits. Kahlo often used assuming, bright colors to create her symbol-rich works, and was regarded as one of the most influential artists of the Surrealist move.

Yayoi Kusama

A viewer photographs inside the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama'southward Infinity Mirrors exhibit at the Hirshhorn Museum February 21, 2017 in Washington, D.C. Photograph Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young age, only she'south also known for her hyper-real sculptures, polka dots, installations, and then much more. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her indelible Mirror/Infinity rooms series, which apply mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Former Kickoff Lady Michelle Obama (L) and creative person Amy Sherald (R) unveil Mrs. Obama'due south portrait at the Smithsonian'due south National Portrait Gallery in Washington, D.C. on Feb 12, 2018. Photograph by Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Black Americans, often doing everyday activities — something that became more common in portraiture writ large in the mid-19th century. Odds are that you lot recognize Sherald'southward work — and her signature grayscale skin tones — as she was the offset Black woman to consummate a presidential portrait for the Smithsonian's National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a work from her series, Pelvis Series Crimson With Yellowish in Albuquerque, New United mexican states. Photo Courtesy: Tony Vaccaro/Getty Images

Known as the mother of American modernism, you likely associate Georgia O'Keeffe with her paintings of New Mexico's landscapes, flowers, skulls, and, just maybe, the skyscrapers of New York City. In the 1920s, she was the outset woman painter to gain the respect of the New York fine art world, all by painting in her unique fashion.

Adrian Piper

Adrian Piper wins the Golden Panthera leo for best artist in Okwui Enwezor's biennial exhibition All the Earth's Futures, function of the 56th Venice Biennale in 2015. Photo Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual creative person in 1970s New York Urban center. She used her work to question society, identity, and racial politics by demanding the audience to confront truths about themselves. She often challenged people on the streets of New York to guess her race, socio-economic class, and gender — all while dressed as a Black man with a fake mustache and sunglasses, or while wearing compelling statements on her clothes.

Shirin Neshat

Shirin Neshat's poses in front end of a photo in her exhibition Our House Is on Fire at the Robert Rauschenberg Foundation in New York City in 2014. Photo Courtesy: Cem Ozdel/Anadolu Agency/Getty Images

Shirin Neshat left Iran in 1974 to report art in Los Angeles, California — before the Iran Islamic Revolution took place. She is all-time known for her photography, film, and video work, much of which explores the relationship between Islam's cultural and religious systems and women. Moreover, Neshat's works often create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer continuing in front of her installation at the Guggenheim Museum. Photo Courtesy: Marianne Barcellona/Getty Images

As a neo-conceptual artist, Jenny Holzer's piece of work focuses on words and ideas, which she puts on advertising billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that act as meditations on various concepts, such every bit trauma, knowledge, and hope. 1 of her more notable works, I Odour Yous On My Skin, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore's Fringe, 2008. Photo Courtesy: Art Gallery of Ontario (Agone)

Much of Rebecca Belmore'due south fine art addresses identity and history — and, in detail, houselessness and the voicelessness of the First Nations People in Canada. Equally an Anishinaabekwe artist, she works to raise awareness around the prejudice, violence, and attempted erasure of Indigenous Due north American culture. In 2005, she was the first Indigenous woman to represent Canada at the Venice Biennale.

Louise Bourgeois

A person looks at Louise Bourgeois' Spider. Photograph Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Bourgeois is better known for her installation art and sculptures — like the spider above — which were inspired by her own experiences and memories. Throughout her career, she created revolutionary works during a time when abstraction and conceptual art were the main styles shaping the art world.

Mickalene Thomas

Mickalene Thomas' A Little Taste Outside of Dearest, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced by popular civilization and pop art, Mickalene Thomas oft embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Black American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago'southward seminal work The Dinner Party. Photograph Courtesy: Brooklyn Museum

Judy Chicago was one of the major figures within the early on Feminist Art motion. Equally exemplified in her iconic work The Dinner Party, her installation pieces often examine the part of women in history and culture — in the 1970s and before. While at California State Academy in Fresno, Chicago founded the first feminist fine art program in the The states.

Augusta Savage

Augusta Savage with one of her sculptures in the mid-1930s. Photograph Courtesy: Andrew Herman/Archives of American Fine art/Wikimedia Eatables

Augusta Savage was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In addition to creating breathtaking sculptures, oft of Black folks, Savage founded the Roughshod Studio of Arts and Crafts in Harlem in 1932, and, a few years afterward, she became the first Black American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photograph Courtesy: Museum of Mod Art (MoMA)

Known for her provocative performance art practices, Carolee Schneemann is considered the progenitor of "torso art". (Merely wait up her most famous work, Interior Gyre, and you'll encounter what nosotros mean.) She used her body to examine women's sensuality and liberation from the oppressive artful and social conventions established by our patriarchal club.

Nan Goldin

Nan Goldin's Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Commons

Famous for her in-the-moment photography, Nan Goldin's work challenges traditional ability relations. In addition to documenting New York City's queer subculture post-Stonewall, Goldin explored the HIV/AIDS crisis, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol's Marilyn Monroe (1967) past Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this look like an Andy Warhol to yous? Well, that'southward the idea! Elaine Sturtevant, who went past her last name professionally, was a conceptual artist known for her inexact replicas — that is, not-quite-right copies of large-name artists' work.

Some artists and critics encouraged her efforts, while others became quite angry. Withal, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of art culture.

Ruth Asawa

Various hanging sculptures past Ruth Asawa at the De Young Museum in San Francisco. Photograph Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly complex wire sculptures. A San Francisco-based artist, Asawa's last public commission was the Garden of Remembrance at San Francisco State University, which was created to recognize Japanese Americans who were interned during World War 2.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on November eight, 2007 in New York City. Photograph Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and landscape photography, Catherine Opie has been a photographer since the age of 9. She uses her photography to examine social norms, and, in doing so, displays various subcultures in formal portraits — just in a style that conveys power and respect past evoking traditional Renaissance portraiture.

micha cárdenas

Still from Sin Sol (No Sun) VR game. Photo Courtesy: micha cárdenas/YouTube

micha cárdenas is an creative person, author, theorist, and assistant professor who won an Impact Accolade at the Indiecade Festival in 2020 and the Artistic Award from the Gender Justice League in 2016. She believes education is the path to liberation and uses VR and fine art to accost global bug such as racism, gendered violence, and climate change.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photo Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstract Expressionist painter who also specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Assistants (WPA).

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